The Tonal Balance plugin is a new step forward that looks at the overall EQ shape and sound of your mix and compares it to a range of tracks and genre reference points from a database of musical style to see how your tracks fit in with industry standards. With so much going on in this new release, I thought it best to just focus on some of the main updates and additions to Ozone.
You don’t have to be an expert mastering engineer, you just need a pair of eyes and ears and the time to apply some simple processes to get the most from your music. This is how all the tools in Ozone are designed to work. Ozone then helps you bring the two closer together for a better result. This enables you to analyse sections of another track from the album you are working on, or a completely different track, already mastered, in a similar genre and compare how it fits against your master. A handy feature is the A/B track referencing, which allows you to load up to ten tracks into Ozone for cross reference listening. This package features 12 different mastering tools, all designed to work with you both visually and aurally so you can control your sound in the way that works best for you. Ozone 8 is available in three bundle sizes, but this month I was lucky enough to give the whole lot a test drive in Ozone 8 Advanced.